This week I have finally got stuck back into the Cassowary I started months ago.  I know I have been slack, it’s been staring at me since before Xmas, but I made a point of getting back into it on the weekend and I must say I am so happy that I did.  It has been too long since I have worked with my favorite medium (soft pastels).  The feeling of getting your hands into it is incredible and the brightness of the pigments in them always blows my mind.  As you can see in this picture the blues are just beautiful.  The next step is the reds in the neck which will also be extremely vivid.  Hopefully by next weeks blog, I will be able to show you all the finished piece.

cassowary
Cassowary in Soft Pastel

I worked on the background a lot and am pretty happy with where its at.  I wanted a muted dark look depicting the dense bush and rainforest these guys are native too.  So I chose dark browns, greens and blues to achieve this.  To keep the colours visible over the black, you put them down first and blend them in.  The black gets added at the last stage around the other colours and then blended up to them.  If you laid a solid black down first and then tried to put the lighter colours on top, when you blended them together the black would always come to the top and you would lose the brightness of the lighter colour giving you a muddy effect.  You can always go darker but it is much harder to make something lighter.

Another tip is, I have used a white sanded pastel paper as the substrait.  Even though the majority of this drawing is dark, most would assume that I would use a black pastel board.  However white works best to keep the brightness and vividness of the beautiful colours in the cassowary.  They would all be a bit duller if I drew them over black.  So if you want a pastel to stay really bright, then always use white.   🙂    I am actually going to start another leopard pastel soon which I will use a black sanded pastel board because I want it rather subdued and looking like its just getting the light as its walking forward.  So stay tuned for this to see the difference.

So now I’ve probably bored anyone who isn’t into pastels haha  but I hope to give many tips and insights into all the different mediums I use.  Don’t be shy to shoot me a message if you have any questions.

Until next week, Kerri x

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Art Technique – Fur

Okay so here we go,  I will try and explain how I achieve a Fur look to my  animal portraits.

I think this is much more achievable in Pastels than most other mediums due to their softness, bleopard-furut the basic principals apply to all.  To start with you need to figure out your Light, Medium and Darks.

In this L14569146_10208432480422850_566614716_neopard Drawing I used basically these range of colours in both pastel pencils and soft pastels.  I always use about 20 different colours but these are the basic Light , Medium and Dark range.

Once I have figured out what colours I’m using I then put down a fairly solid cover in the Medium range.  This then gives me a base that I can work the fur up with by adding the various darks and lights as pictured below.fur-stripFor thick fur you need to look at the shapes within the fur, try not to look at it as heaps of fine lines,  you really need to try and section it into clumps and work on a small area at a time.  For short hair I find that it works best to build up the colours with short strokes but always make sure that these strokes are going in the direction of the fur.

Remember that fur strokes are not perfect so this is crucial in making your fur look realistic.  Try not to use repetitive strokes in a straight line.  Although if you step back and it looks too straight you can always go over this to fix it.  The beauty of Pastels 🙂

fur-layout

This above demonstration is very basic but you can see the use of the dark, medium and light in giving the fur depth.  You can build this up and up by increasing the amount of difference between the darkest darks and the lightest lights, however too much can make it look clumpy, kinda like wet fur, which the bottom demo is getting close too.  For softer fur you wouldn’t use the extreme ends of the dark and lights but rather use a smaller range of middle colours as below.

img_7888I will try and explain better in the steps as shown above.

  1.  Lay a ground of a medium colour with some darks.  You really need to study your reference image here as it is crucial to get an idea of where the darks will be right from the outset, you will make your life a whole lot easier.
  2. Its a bit hard to see in the next image but still using a medium tone colour (a bit lighter than the background) you can start to mark out where the clumps of fur will go.  Again this is another important stage.  Be sure not to make the marks too uniform.  Pay close attention to which way the hair is moving.
  3. Once you are pretty happy with your sections of fur its time to start adding some dark to give the fur depth.  So this is added where the clumps of fur would recede into the animals skin, causing shadows.  So basically anywhere you think a shadow would form you can add some dark.  Make sure you go lightly here as it is best to build up the layers rather than try and get it dark in one go.
  4. Next for the lights.  The lights should go on the top and ends of the fur clumps,  wherever you think the light would be hitting the fur.  Again go lightly so you can build up those layers.
  5. In this step I have added another medium to dark colour.  Now you have your darks and lights marked in you can start to see where the fur is falling.  By adding some other medium to dark colours helps to create a more realistic look.  So at this stage I just lightly add a few strokes here and there as I think is needed.  Remember to always step away from your work to judge this.
  6. The final layer.  This is where I would add my lightest highlights just on the sections that I think the light would be hitting the strongest.  I will also add some squiggly fine hair lines here to really bring out that realism.

Ok well if you can’t understand what the hell i’m talking about here just leave me a comment and we’ll chat haha.  I think I have kinda covered all the do’s and don’ts that I can think of so until next week.

Happy Painting

Kerri xx

What is it about Dingoes?

Welcome all to my first official Blog Post.  And what better subject to start my blogging than Dingoes.  If anyone knows of my work, they will know I have a love for these beautiful animals and that transfers into my paintings as probably my favorite subject.  I love the challenge of trying to get that special Dingo gaze into their eyes and I always feel extremely happy and satisfied once I have finished a piece and he’s looking back at me with that renown intelligence.

I saw my first Fraser Island Dingo around 28 years ago and have loved them ever since.   We went on a camping trip over to the island as most Australians do, if not at least many Queenslanders would of been there.  It is such a special and unique place with so much natural beauty it astounds you and the added bonus of seeing many healthy, happy Dingoes around the island made it that much more special.

These were the days when there was plenty of food on the island for them, everyone interacted along side them as it should be.   The small town of Eurong pretty much had its own Dingo that would welcome visitors and generally just hang out around the town which gave tourists plenty of photo opportunities.  Unfortunately as the tourism inclined, so too did the problems with the Dingoes.  There have been many wrong decisions along with some right decisions by our government regarding how to manage the growing tourist population while keeping the Dingoes best interest at heart.  This has always been a much heated ongoing debate among locals and government.  I have no idea how to solve it and will leave that up to the experts but I will say that as an Australian who loves Fraser Island and its native occupants I believe we can still live along side these guys as we used to, with the powers that be learning from the mistakes they have made with the island management, stricter penalties for tourists who don’t respect the Dingoes or the island and take advice from the indigenous people of this sacred place.

Misunderstood
Misunderstood

I painted my first Dingo (Misunderstood) ‘Who’s the real threat’ around 3 years ago now when I was first introduced to Soft Pastels. I had just completed a short course on Pastel Painting with Artist  David Wells   which opened my eyes up to this wonderful medium.

I just seemed to take to it perfectly, it suits my style of drawing and I don’t have to clean up anything (yay)  or set up anything, If I have a spare 10 minutes I can just go and work on it for the entire 10 minutes.  I have a busy schedule so this is perfect for me.

I had heard about an Art Competition held by WABA in Canberra, the theme was ‘threatened species’ and I had seen a photo of a particular Fraser Island Dingo on the internet by Black Hat Photography and I knew immediately that I wanted to draw it for this contest, with Craig’s permission to use his photo as a reference I knew it would be the perfect fit for the brief and what better way to spread the word, that these guys get a bad wrap and maybe we are the real threat.

If you look closely at this guys eyes you can see the image of a 4 wheel drive vehicle reflected back, which symbolizes ‘human’ and all the problems they bring to the island with them.misunderstood-copy  As this was only the 2nd large pastel piece I had done, I was hesitant to enter but with encouragement from friends and family I did.  You can imagine how thrilled I was when I got a call from WABA to tell me I had won best use of Media as well as they had sold my painting along with some prints.  I was hooked, I new I had found my medium and have happily stuck with it for the last  3 years and am happy to say I have now painted 6 Dingo Portraits and they have all sold within a week of being finished.

So my advice is to keep at it and try many and varied mediums and I guarantee when you find the one you are meant to work with you will know straight away, everything will just click.  Now I am not saying it is easy, each of my works has around 80 hours involved, but you will happily spend that time perfecting each piece when you find the medium you just love to work with.

For those who would fullsizerenderlike to read more about the Fraser Island Dingoes, you can go to     Save the Fraser Island Dingo and find out all about them.  I love trying to donate to these guys when I can because they really are making a difference and they only have the Dingo and Islands best interest at heart.

I hope you all have enjoyed this little insight into why I paint Dingoes (A LOT haha) and if you have any questions make sure to leave me a comment.  I’d love to know if anyone else has been over to Fraser and what your thoughts are on the Dingoes.

 

Enjoy your week

Kerri xx