This week I have finally got stuck back into the Cassowary I started months ago.  I know I have been slack, it’s been staring at me since before Xmas, but I made a point of getting back into it on the weekend and I must say I am so happy that I did.  It has been too long since I have worked with my favorite medium (soft pastels).  The feeling of getting your hands into it is incredible and the brightness of the pigments in them always blows my mind.  As you can see in this picture the blues are just beautiful.  The next step is the reds in the neck which will also be extremely vivid.  Hopefully by next weeks blog, I will be able to show you all the finished piece.

Cassowary in Soft Pastel

I worked on the background a lot and am pretty happy with where its at.  I wanted a muted dark look depicting the dense bush and rainforest these guys are native too.  So I chose dark browns, greens and blues to achieve this.  To keep the colours visible over the black, you put them down first and blend them in.  The black gets added at the last stage around the other colours and then blended up to them.  If you laid a solid black down first and then tried to put the lighter colours on top, when you blended them together the black would always come to the top and you would lose the brightness of the lighter colour giving you a muddy effect.  You can always go darker but it is much harder to make something lighter.

Another tip is, I have used a white sanded pastel paper as the substrait.  Even though the majority of this drawing is dark, most would assume that I would use a black pastel board.  However white works best to keep the brightness and vividness of the beautiful colours in the cassowary.  They would all be a bit duller if I drew them over black.  So if you want a pastel to stay really bright, then always use white.   🙂    I am actually going to start another leopard pastel soon which I will use a black sanded pastel board because I want it rather subdued and looking like its just getting the light as its walking forward.  So stay tuned for this to see the difference.

So now I’ve probably bored anyone who isn’t into pastels haha  but I hope to give many tips and insights into all the different mediums I use.  Don’t be shy to shoot me a message if you have any questions.

Until next week, Kerri x


Well I figure I should at least have one blog post about me so you can all get to know who I am and what got me into Art.  Well theres no sob story or cliff hanging suspension in my life history haha.  I had a pretty normal middle class upbringing in a fairly small community (at the time) north of Brisbane, Qld Australia.

I think my love for animals definitely came from my childhood,  I was pretty renowned for bringing any stray home, sometimes not even a stray.  I remember clearly buying a cat from the pet shop and telling my mum it followed me home hahaha.  And my friends pets seemed to always be having babies so of course I would try my hardest to convince my parents that they really needed a home.  Luckily my mum and dad were also animal lovers and were pretty cool with it.  So I’ve had my fair share of Dogs, Cats, Birds, Mice, Rabbits, Fish, Lizards, Hermit Crabs.  All the standard pets for a kid.

I think Art was also always in my blood.  While my friends were out playing I would come up with an excuse to stay home and draw.  I loved copying images from the Sunday Newspaper comic strips.  I could draw any of them straight from memory and Snake Tales by SOLS was by far my favorite.  I even used to make little plastercine models of him.


I of course took Visual Art as an OP subject through to Year 12 but decided not to further that Art education by going to University.  I think mainly because I didn’t really have anyone pushing me to do that and none of my group of friends were taking study further than yr 12.  We were all just glad to get out of there haha.

I did however end up working as a Face Painter at Expo 88 in Brisbane and then later became a Signwriter which I have been ever since, with my own business working along side my husband of 25 years.  So even though I do not have any formal training in Art, I have definitely stayed in the field, which had always been my dream.

I hope I’m not boring you with my history but like I said its nothing to write home about 🙂

Even though art was incofolk-artrporated in my daily job as a Signwriter, I think I truly started to take it more seriously when I opened a Market Stall selling hand painted picture frames and house signs.  I would paint a little frog, lizard, kookaburra or anything really onto old rustic timber and turn them into frames.  It was really a form of Folk Art actually but it gave me the bug to get back into my own Art.  So once my 3 kids were in bed I would sit up each night and paint these little animals to my hearts content.  I don’t really consider Folk Art as a serious form of painting, its more of a craft but it was a great stepping stone for me to actually believe I could become an Artist.  I think everyone has to go through these phases in their own artistic journey to get to where they want to ultimately be.

So I spent many years playing around with Acrylics and then progressed into Oils and Graphite.  I really do love all mediums but I don’t think I actually felt like I was good enough to enter any competitions or approach galleries until I discovered Pastels, which was only about 3 years ago.  So after 20 odd years of playing around and learning different Mediums I think I have finally found the one I am meant to draw with.

As an Artist you can never stop learning and over my years I have attended a number of workshops and lessons by a varied group of wonderful tutors in many different mediums and styles.  The eye opener though was a 5 lesson workshop with David Wells,  I saw his course advertised while I was taking Oil Lessons with Marcel at catBrisbane Painting Classes, the flyer showed a beautiful realistic dog portrait and I thought well here is something that suits me,  I would love to learn how to draw animals that look that realistic, even though I had never really heard of or tried Soft Pastels before I decided to give it a go.  And from that first lesson I was hooked.  It just felt natural to me and I love that by building up the layers of pastel, you can achieve a softness to the fur that actually looks like you could run your hands through it,  there is no other medium that can give this effect,  plus you can get your hands dirty, kind of like finger painting really 🙂   So here are my first ever pastels from my lessons with David.


I am definitely in love with this medium and since then have painted 6 Dingoes, 2 Leopards, 1 Tiger, 1 Cheetah and 1 Red Hot Poker Flower and am currently working on a Cassowary, which you can check the progress of all my work on my facebook page.

My next phase will be to take it to the next level and become a full-time Artist.  Hopefully if all goes to plan, by this time next year I should be living the dream and producing a hell of a lot more work.  It is quite difficult working a full-time job and then trying to work on your passion at night, as I’m sure many of you would understand, so this can’t come quick enough for me.

I have plenty of ideas in the pipeline so stay tuned for exciting things to come.  Next week I will start to talk about techniques etc. 🙂


Kerri xx

What is it about Dingoes?

Welcome all to my first official Blog Post.  And what better subject to start my blogging than Dingoes.  If anyone knows of my work, they will know I have a love for these beautiful animals and that transfers into my paintings as probably my favorite subject.  I love the challenge of trying to get that special Dingo gaze into their eyes and I always feel extremely happy and satisfied once I have finished a piece and he’s looking back at me with that renown intelligence.

I saw my first Fraser Island Dingo around 28 years ago and have loved them ever since.   We went on a camping trip over to the island as most Australians do, if not at least many Queenslanders would of been there.  It is such a special and unique place with so much natural beauty it astounds you and the added bonus of seeing many healthy, happy Dingoes around the island made it that much more special.

These were the days when there was plenty of food on the island for them, everyone interacted along side them as it should be.   The small town of Eurong pretty much had its own Dingo that would welcome visitors and generally just hang out around the town which gave tourists plenty of photo opportunities.  Unfortunately as the tourism inclined, so too did the problems with the Dingoes.  There have been many wrong decisions along with some right decisions by our government regarding how to manage the growing tourist population while keeping the Dingoes best interest at heart.  This has always been a much heated ongoing debate among locals and government.  I have no idea how to solve it and will leave that up to the experts but I will say that as an Australian who loves Fraser Island and its native occupants I believe we can still live along side these guys as we used to, with the powers that be learning from the mistakes they have made with the island management, stricter penalties for tourists who don’t respect the Dingoes or the island and take advice from the indigenous people of this sacred place.


I painted my first Dingo (Misunderstood) ‘Who’s the real threat’ around 3 years ago now when I was first introduced to Soft Pastels. I had just completed a short course on Pastel Painting with Artist  David Wells   which opened my eyes up to this wonderful medium.

I just seemed to take to it perfectly, it suits my style of drawing and I don’t have to clean up anything (yay)  or set up anything, If I have a spare 10 minutes I can just go and work on it for the entire 10 minutes.  I have a busy schedule so this is perfect for me.

I had heard about an Art Competition held by WABA in Canberra, the theme was ‘threatened species’ and I had seen a photo of a particular Fraser Island Dingo on the internet by Black Hat Photography and I knew immediately that I wanted to draw it for this contest, with Craig’s permission to use his photo as a reference I knew it would be the perfect fit for the brief and what better way to spread the word, that these guys get a bad wrap and maybe we are the real threat.

If you look closely at this guys eyes you can see the image of a 4 wheel drive vehicle reflected back, which symbolizes ‘human’ and all the problems they bring to the island with them.misunderstood-copy  As this was only the 2nd large pastel piece I had done, I was hesitant to enter but with encouragement from friends and family I did.  You can imagine how thrilled I was when I got a call from WABA to tell me I had won best use of Media as well as they had sold my painting along with some prints.  I was hooked, I new I had found my medium and have happily stuck with it for the last  3 years and am happy to say I have now painted 6 Dingo Portraits and they have all sold within a week of being finished.

So my advice is to keep at it and try many and varied mediums and I guarantee when you find the one you are meant to work with you will know straight away, everything will just click.  Now I am not saying it is easy, each of my works has around 80 hours involved, but you will happily spend that time perfecting each piece when you find the medium you just love to work with.

For those who would fullsizerenderlike to read more about the Fraser Island Dingoes, you can go to     Save the Fraser Island Dingo and find out all about them.  I love trying to donate to these guys when I can because they really are making a difference and they only have the Dingo and Islands best interest at heart.

I hope you all have enjoyed this little insight into why I paint Dingoes (A LOT haha) and if you have any questions make sure to leave me a comment.  I’d love to know if anyone else has been over to Fraser and what your thoughts are on the Dingoes.


Enjoy your week

Kerri xx